Bridal Fashion Week descended on both New York and Barcelona this season, and the Spring 2027 collections delivered something for every kind of bride. Sculptural silhouettes, unexpected fabrications, and construction that did the heavy lifting, finding new ways to be fashion-forward yet still wedding aisle ready. We reached out to eight of the industry's most trusted voices—bridal stylists, influencers, and buyers—and asked them to share the pieces that stopped them in their tracks. The results ranged from one-of-one couture gowns stitched together from two years of scraps, to minimal sheaths that somehow said everything—proof that this season had range. Here are the silhouettes they loved most.
Hope LaVine
Los Angeles-based bridal stylist, content creator, and bride-to-be Hope LaVine has built a devoted community of bridal enthusiasts by doing what she loves most: living inside the world of bridal fashion. Known for her try-ons, trend breakdowns, and visits to designers and boutiques around the world, Hope has one of the most recognizable bridal platforms online, and she's become the resource brides turn to before they ever set foot in a showroom.
The Ervay by Lela Rose
"I think the bold floral embroidery is stunning! Every season I think to myself, 'Florals for spring? Hopefully, we see something groundbreaking.' And I loved Lela Rose's take on florals! This would be so beautiful for a welcome party or rehearsal dinner. I'm imagining it with a messy braid or a loose low bun. It's chic, it's effortless yet bold, and it's romantic."
Persephone by Enaura
"Enaura, whom I previously knew for beading, surprised me with this beautiful corsetry and lace moment. The soft draping is so beautiful and the Chantilly lace is manipulated beautifully into a soft sculptural silhouette. The color resembles a warmer ivory tone, which I personally prefer. I think it can be more flattering, softer, and have a vintage look. I think this would be gorgeous with a chantilly lace trim cathedral veil for the ceremony, paired with a sheer tulle glove."
Shelley Top & Elin Skirt by Lein
"Separates! I so appreciate the wearability that separates create. I think this can be styled in a variety of ways long after the wedding event. And brides are considering that more and more in their purchases. I think these pieces are perfect for the bride looking for a longterm purchase, not a one time wear. I tried this on ahead of NYBFW and felt so great in it! The frog closure detail on the top elevates this piece. This set would be beautiful for a civil ceremony or a day after brunch!"
Danielle Copperman
British model, creative director, and influencer Danielle Copperman has long been a trusted guide for style, and bridal is no exception. The force behind wellness brand Qnola and the book Well Being: Recipes and Rituals to Realign the Body and Mind, Danielle brings the same thoughtful, slow-fashion lens she applies to every area of her life to the way she approaches getting dressed. As a recent bride herself, her edit began in the showroom, and what she discovered there stopped her in her tracks.
Leah Corset by Seline Meisler
"Spending time in the Seline Meisler showroom was a dream, I love everything she creates. I love the authenticity and craftsmanship of each piece, but the detail of the Leah corset is incredible, the fit and fabric are what really bring these pieces to life. I see her pieces for any kind of wedding: church, town hall, or destination. Each one can be worn differently, mixed and matched, so I really think each bride will bring it to life in her own way."
No. 18 by Sept
"I love a scoop neck and structured bodice. This silhouette from Sept is so classic and timeless, and while it seems simplistic, the fit is what makes such a statement. I love the draping in the skirt and the subtle embroidery here too. I see this more for a US or Australian bride, quite stripped back and clean, but with the right accessories and something like an antique lace veil. It could be perfect for a Mediterranean wedding too."
Preston by Kyha Bride
"I love the bold folds, draping, and the timeless silhouette of the Preston gown by Kyha Bride. Much more modern, perfect with a beautiful pearl necklace or earrings and warm satin slingbacks for an American or Australian wedding. Very classic, stripped back, and clean, but bolder at the same time."
Lace Drop Waist by Sen Studio
"I love a full-lace drop waist, and this one fit so well. So timeless, so elegant. I envisage this for a wedding in Europe, at a château or in the Italian countryside. It’s fresh and modern, but so traditional at the same time. I would style it with statement gold jewelry for a Mediterranean wedding, or something like soft pearls for a church setting."
Madison Woolley
This season lifestyle and fashion influencer Madison Woolley was drawn to pieces that feel straight off the runway. Founder of bridal label 23rd & Madison and content studio Weddings by Purr, Madison is one of the most influential voices in the modern bridal space. Based in Sydney, she designs for the bride who thinks about how fabric moves and how a moment translates on screen, and her picks reflect exactly that perspective.
Florentine by House of Gilles
"For the bride who wants classic with a modern edge, I love Florentine's voluminous gathered ball skirt by House of Gilles. It's in the warmest parchment tone — not white, not ivory, something much more interesting — with a single sculptural floral at the waist. The fabrication and construction do all the work."
Palma by Danielle Frankel
"One of my favorite looks is Danielle Frankel's Palma, a structured two-tone column silhouette with a pleated fringe at the peplum and hem. What I love is the color blocking; cool ivory against a warmer, almost ecru pleat. It's somewhat unexpected in bridal and feels more fashion than wedding. For the bold, fashion-forward bride."
Noor by Lihi Hod
"For the bachelorette, the after party, or the bridal shower, Noor is the perfect piece for every surrounding event of the wedding weekend. With cascading crystal chains and 3D floral appliqué layered over sheer tulle."
Verdant by Ines Di Santo
"It's the most classic silhouette of my favorites, but the fabrication and detail of Verdant by Ines Di Santo keep it feeling completely fresh. It's curved micro-pleated corset, delicate floral embroidery winding across the bodice and drop waist pleated full skirt is perfect for the bride who loves something timeless."
Gabrielle Hurwitz
Full-service bridal stylist Gabrielle Hurwitz has been obsessed with weddings since childhood, and she turned that passion into a career. After years working at the forefront of the bridal industry, she launched her own practice as a creative director for all the fashion surrounding a wedding, from the ceremony gown to every event in between. Her editorially driven work has earned widespread recognition across the wedding world, and she has a particular love for gowns that feel like wearable art. Her picks this season reflect exactly that.
Marli by Danielle Frankel
"The Danielle Frankel Marli gown made me believe in love at first sight. The statuesque silhouette and sculptural draping, paired with unexpected feather flowers, make the Marli a piece of wearable art. I picture it in an architectural space so it can truly shine, with a chic updo and fabulous earring."
Look 6 by Andrew Kwon
"Don’t get me wrong — I love a slip dress, but Andrew Kwon updated the classic silhouette with mixed materials and artful draping. I love this dress for a super chic city wedding. Picture an intimate ceremony followed by dinner and dancing at the couple’s favorite restaurant."
Look 2711 by Lee Petra Grebenau
"I personally love a long after party moment, especially for a formal or black tie wedding. With beaded lace and a bare middriff, Look 2711 set strikes the perfect balance of sexy and cool."
The Ervay by Lela Rose
"I love how effortless The Ervay gown by Lela Rose is. The silhouette itself is so simple and modern — a strapless sheath — but the threadwork 3D floral appliqués add a sense of whimsy and art. I'd love to put a bride in this for welcome party with long, loose waves for an effortlessly chic look."
Emma Westblade of The Wed
As Editor-in-Chief of The Wed, Emma Westblade has her finger firmly on the pulse of bridal fashion. With a career that spans fashion journalism, trend forecasting, and creative direction across New York and Barcelona Bridal Fashion Weeks, Emma has become an important voice in the industry, known for her sharp, discerning eye and her instinct to spot the emerging ideas, designers and collections defining a new era of bridal fashion.
Sylvia by Danielle Frankel
"I haven’t audibly gasped at a bridal piece in a long time, but the Sylvia halter top by Danielle Frankel had my jaw on the floor. No one does texture like Danielle Frankel, and this piece takes her techniques to a whole other level. Frayed silk organza is layered with with horsehair and then woven like ribbons for this dreamy feather-like appeal. It's whimsical yet so incredibly refined, paired with a simple silk bias-cut skirt, it would make for the most perfect welcome party or second bridal look, with just the right amount of drama."
Flower Slip Dress by Varca
“The fail-safe silk bias-cut slip dress, we’ve all seen them a hundred times over — but Varca’s flower version genuinely excited me. Not only was the cut glorious, the detachable strands of oversized fabric blooms trailing from the back of the dress felt delightfully unexpected. It was such a fresh way to accessorize a slip dress, playful and sensory, yet still incredibly harmonious. And the way they swayed with every step, I'm still thinking about it!”
Look 03 by Yolancris
“I’m clearly having a thing for texture this season. Look 03 from Yolancris was spilling with it, but in the most understated way possible. Crafted from sheer crinkled-pleat silk layered over French lace, it felt incredibly subtle, but when applied to this more fitted silhouette, it took on a whole new energy. The decadent patchwork of laces and tulles in the mermaid skirt anchored the silhouette perfectly. A Juliet cap or cathedral veil would be so chic for the ceremony, or stripped back, it would work just as beautifully as a second look too.”
Magda by Danielle Frankel
“Magda by Danielle Frankel had me genuinely giddy. It was one of those dresses that feels completely alive. The delicate feather stems springing from the gown softly fluttered with even the slightest movement, so you can imagine the drama walking down the aisle. Seeing it in person made me appreciate just how much detail gets lost in photos alone — the handcrafted fan-like embroidery stitched all over the dress gave it this beautiful vintage sensibility, while the sculptural silhouette kept everything feeling distinctly modern. The contrast between the softness and strength here needs to be studied. True artistry."
Sam Ruiz of It's Giving Bridal
Sam Ruiz is the Los Angeles–based bridal stylist and founder of It's Giving Bridal, a full-service styling brand built for the effortlessly cool, fashion-forward, and anything but conventional bride. With a loyal following and a portfolio of weddings that read more like editorial shoots, Sam has carved out a unique space in the bridal world by treating the wedding wardrobe as a full creative project. Her picks this season are as thoughtful and storytelling as the weddings she styles, and her top picks speak to just that.
Beatrice Vintage Rose by Philippa Lepley
"I love everything Philippa Lepley creates, but Beatrice Vintage Rose from her Chapter Forty collection is something special. The high neckline is very Grace Kelly — refined, composed, timeless. And then the silhouette does something really interesting: narrow through the skirt, with all that volume carried in the Watteau train. It’s classic in the best way, and I can’t stop thinking about it."
Lace Set by Lihi Hod
"I actually cried at Lihi Hod's show, it was so beautiful. I had my daughter with me, and the show was all about the power, softness, and beauty of women. It even started with the sound of a baby cooing, and I literally lost it. It felt inspired and honestly different from anything Lihi has done before. This set is a perfect example of why — the lace top paired with white pants, the softness meeting that edge. Chic, cool, confident. It really stood out."
Margaux by House of Gilles
"Margaux by House of Gilles was an immediate yes for me. The halter neckline opens into this curved V that’s elongating in a way that feels fresh — not your typical deep V. The lace over the bodice is incredibly romantic, and then the skirt just goes for it. Full drama. I think the halter neckline is going to be everywhere this season, and this one is a perfect example of why."
Christy Baird of Loho Bride
Christy Baird is the founder and creative director of Loho Bride, a curated bridal boutique in West Hollywood, California built around hard-to-find designers, made-to-order gowns, and the belief that a bride should never have to ask herself if she can pull something off, she just does. Over a decade later, Loho has become one of the most influential bridal destinations in the country, known for its personalized, editorial approach and its unwavering commitment to brides who want their wedding wardrobe to feel as individual as they are.
Sylvia by Danielle Frankel
"I loved Danielle Frankel’s own interpretation of feathers, which we saw throughout bridal market this season. The detail is actually frayed silk organza layered over horsehair, but it creates the same softness and movement as feathers in a way that felt incredibly original and artistic. It had such an effortless fluidity and really showcased the kind of innovation Danielle is known for."
Vesper by Lein
"Lein always delivers for the it-girl bride, and this gown felt like the perfect example of the brand’s understated sophistication. I found it incredibly chic and refined, with a simplicity that still felt deeply impactful. It’s the kind of dress that doesn’t scream for attention but completely commands it through tailoring, proportion, and attitude."
Poubelle by Varca
"Named “Poubelle,” the French word for garbage can, this Varca gown was made entirely from recycled materials. It’s a true one-of-one piece, and I’m dying to know which bride will ultimately wear it. The dress feels wildly imaginative and full of personality! Playful, fashion-forward, and completely unapologetic in the best way. I loved how it challenged traditional ideas of bridal while still feeling deeply romantic and couture-level in execution."
Chelsea Jackson of Showroom Theory
Chelsea Jackson is the founder of Showroom Theory, a bridal industry showroom known for its sharp editorial eye and deep relationships with both emerging and established designers. Known for her thought-provoking dissection of bridal fashion and the cultural mood surrounding each season, Chelsea has built a reputation for reading beyond the surface of the runway, examining the emotional, aesthetic, and societal shifts shaping modern bridal style. Travelling the bridal fashion week circuit seasonally, she approaches bridal not simply as fashion, but as a reflection of wider cultural attitudes, identity, and modern womanhood.
Poubelle by Varca
"Poubelle (which means “garbage bin” in French) is a one-of-one couture gown made from two years of Varca’s off-cuts, fabric remnants, pattern scraps, etc. It’s my absolute favorite creation of the season! Not only is it a truly stunning silhouette, but the design speaks directly to the designer’s creativity, her sense of whimsy, and Varca’s innate ability to approach each design with so much thoughtfulness. For me, this circularly sustainable gown represents not only a season of innovation, but the future of bridal. The bride daring enough for this style is getting married somewhere dramatic (maybe an exhibition like James Turrell’s Skyspace), while still prioritizing where her gown comes from and what goes into its construction."
Nyx by J. Andreatta
"I’ve been pretty adamant this year that the mermaid silhouette is having a major resurgence in 2027, and the Nyx gown by J. Andreatta is the perfect example of a designer putting a contemporary spin on a style that brides often equate with the early 2000s (for better or worse). Nyx is a familiar silhouette, adjusted just enough to feel modern, and it’s undeniably sexy without trying too hard. This dress was made for a bride who’s elegant but knows how to have fun, so I’m picturing an unconventional grazing table and a cocktail hour that goes on, and on, and on.
Samira by Danielle Frankel
"Danielle Frankel released some amazing, technically challenging, avant-garde pieces this season, but funnily enough, it’s this simple sheath silhouette of Samira that I’m most excited by. This minimal, long-lined, body-skimming dress reminds me of two things – a medieval underlayer (like a shift or chemise), and I love a historical reference. And secondly, of Look 28 from Ann Demeulemeester’s Fall 2020 collection. I love that the sensuality here isn’t decorative (coming instead from what’s withheld), and I find it so refreshing as an alternative to the cinched, snatched corsetry we see season after season. This is for the bride who adores 'Shakespeare in Love' and reads by candlelight before bed… she’s me."
Briar by Ferrah
"Lela Orr of Ferrah is such a thoughtful designer, and I love that the Briar gown feels like an echo of traditional bridal elements without being committed to them. The bodice here is structured and classic, the skirt is daring and fun, and the sheer train softens things so the look remains romantic. I’m envisioning this dress somewhere punchy, colorful, and quirky."
Kate Blackwell of Something White Styling
Kate Blackwell is the celebrity wardrobe stylist turned luxury bridal expert behind Something White Styling, a Chicago-based fashion concierge service that guides brides through every look from the engagement session to the honeymoon. After years dressing clients for red carpets in Los Angeles and working in commercial and editorial styling, Kate identified a gap in the bridal market and stepped in to fill it. Her eye this season went straight to the trends with staying power that were seen throughout the bridal weeks.
Textured Corsetry
"Textured couture-style corsetry, as seen at Andrew Kwon, Ines Di Santo, and Varca Studio, stood out this season. What I love about this is its artistic feel, which really elevates simpler gowns. It's perfect for a fashion-forward bride with a black-tie wedding who prefers structure and likes a statement piece."
Bell Sleeves
"What I love about the bell sleeve is that it brings an element of ready-to-wear into bridal, making a simple look much more playful. As seen at the likes of Danielle Frankel and Lee Petra Grebenau, it's a perfect element to incorporate for the bride who wants to add some personality to her look, especially the boho bride, with a nod to Chloé circa 2000."
Statuesque Draping
"What I love about this draping technique is how flattering it looks on most body types — curvy, athletic, pear-shaped — while bringing a very whimsical, romantic feel to bridal fashion. Executed perfectly by Ouma, Mariana Hardwick, and Alexandra Grecco this season. With the right accessories, this silhouette can be styled many different ways and elevated or dressed down depending on the ceremony. Best for the bride who prefers something lightweight while still showcasing her figure. A summertime bride or someone traveling abroad would be ideal, especially if they like their dress to have movement for added drama."
Sarah McCarthy of Sphere Bridal Gallery
As Creative Director of Sphere Bridal Gallery—a luxury destination boutique with locations in Brisbane and Sydney, known for its intimate, appointment-only experience and curated edit of Australian and international designers—Sarah McCarthy has built a reputation for championing designers who live in the space between timeless and fresh. For Sarah, this season ranged from the sculptural to the softly romantic, and her picks are united by a love of movement, femininity, and gowns that move you.
Felicie by Noy Eliyahu
"I love the accentuated hips and sculptural shape of the new season Felicie gown by Noy Eliyahu. It feels fashion-forward while still being really feminine and romantic."
Iris Corset & Lindsey Skirt by Seline Meisler
"This look gives vintage romance in the best way. The The Iris corset paired with the softer Lindsey skirt feels editorial while still being wearable and romantic."
Willis by Kyha Bride
"Clean, modern, and sculptural, the Willis by Kyha Bride gown feels effortlessly cool and perfectly captures the modern minimalist bride."
Cosima by Katherine Tash
"Soft, romantic, and very ballet-inspired. I love the draping and movement of the Cosima gown. It feels timeless, but still fresh."
Kennedy Schmidt of Bisou Bride
After two cities and two weeks of shows, Kennedy Schmidt—the Brooklyn-based bridal stylist and founder of Bisou Bride—came away with a clear throughline. The brand has grown into a full-service styling and wedding creation service, covering everything from ceremony gowns to bachelorette looks, groom styling, and honeymoon wardrobes. Her signature French film–inspired aesthetic and editorial eye have earned her a loyal following of brides who want their wedding style to feel expressive, curated, and fashion-forward, and her picks across both bridal fashion weeks reflect exactly that.
Fringe Dress by Stéphane Rolland
"Stéphane Rolland’s Barcelona Bridal Fashion Week show was one of the most visually striking presentations of the season, I loved this sculptural fringed silhouette and movement."
Kate by Maison Margot
"One thing I loved across both cities was how strongly designers leaned into headpieces and accessories this season, making every look feel more intentional and character-driven. Margot's Kate mini and tied headscarf felt effortless, cinematic, and incredibly modern."
Bellarosa by Milla Nova
"I loved the Bellarosa gown by Milla Nova, it delivered dramatic romance through intricate corsetry and sheer lace layering."
Ribbon Dress by Alexandra Grecco
"The final look from Alexandra Grecco felt minimal yet emotional, with beautiful ribbon-like movement"
